In precisely two months, Artisphere will end its five-year run, but it appears to be going out with a bang.
According to Artisphere Director of Marketing and Communications Barry Halvorson, most of Artisphere’s shows this spring have sold out. But then, he said, that’s not altogether a new phenomenon for the almost-five-year-old arts center.
“Over the last three years or so, we have really been hitting our stride,” Halvorson said. “We’re on track to come ahead slightly of last year. We’ve been performing to an average of 75 percent capacity. That’s above industry average.”
Despite the fact that Artisphere has consistently lost money every year of existence, Halvorson it’s been by all accounts a successful arts venture. He challenges the notion that the Artisphere is a $2.2-million-a-year sunk investment.
“You wouldn’t refer to the Kennedy Center as the ‘money-losing Kennedy Center’ when in fact it is the money-losing Kennedy Center,” Halvorson said. “Every arts organization in town is a money-losing venture… It’s almost a minor miracle that we’ve been able to really run it as well as we’ve been running it.”
Acting Artisphere Director Josh Stoltzfus said the venue has been able to achieve that by targeting international musicians and artists, catering to the D.C. area’s global diversity of heritage.
“In a lot of ways, international music has had a very strong track record in this market,” he said. “The larger Metro area, we have people from all over the world that live and work in this area, people either from all those countries or who were stationed there. We’re trying to reflect the community we serve.”
Artisphere has hosted acts like a controversial Ugandan play, Yiddish punk music, an eight-hour endurance performance and more than 100 belly-dancers. Its 62,000-square-foot space has caused sky-high utilities bills, but the unique venue has allowed performance-goers to see art installations before taking in the eclectic, international performers.
“We’ve really tried to become sort of the go-to presenter of international music in this market,” Halvorson said. “We’ve been largely successful in doing that.”
In the final two months, the venue’s remaining staff is not planning a big grand finale, but rather they will continue to put on shows most weeks; Halvorson said May will one of the busiest months they’ve ever had. Next Saturday, they will be screening a “live documentary” called the Measure of All Things in the Dome Theatre.
That documentary will be cued up and narrated on stage by its Academy Award-Nominated Director Sam Green, and will be accompanied by a live band. The documentary will focus on the lives of people in the Guinness Book of World Records, like the world’s tallest man and the world’s longest hair.
“That’s a great example of programs that is sort of representative of what Artisphere presents,” Halvorson said. “It’s difficult to describe and boil down, but that’s what we’re doing.”
Linda Hesh, the artist who installed a piece of art when Artisphere opened, called “Art Every Day” will return for another installation this spring that will take pieces of art tied to the venue and spread them across the community. After that, the doors will lock and the county will decide what comes next for the space.
“While it’s true that they physical building is closing,” Stoltzfus said, “the ideas that Artisphere has put forth in the community will last for the years to come.”
File photo courtesy Artisphere
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Synetic Theater Camps are a wildly fun, highly accessible choice for young people who love moving, playing games, and making memories. Registration is open now for Summer Camps (sessions June 20-August 25) and there are even a few spots left for Spring Break camp, April 3-7.
Located in National Landing, these performance-based camps are designed for students of all ages – no theater or performance experience required.
Led by professional teaching artists, campers learn acting, movement, and technical theater skills through the lens of Physical Theater. Physical Theater incorporates acting, movement, dance, mime, and acrobatics. If you’ve seen a Cirque du Soleil performance, you’ll find many similarities.
Most first-time campers are new to the performing arts, and teaching artists are well-versed in engaging students at all levels. Parents and campers report that one of the best parts of Synetic is the community, with many families returning year after year because they feel a strong sense of belonging.
EDBS Dental Billing Solutions is pleased to announce that it has achieved compliance with the federally mandated standards of the Health Insurance Portability and Accountability Act (HIPAA) through the use of Compliancy Group’s proprietary HIPAA methodology, The Guard® compliance tracking software, and HIPAA Seal of Compliance®.
The HIPAA Seal of Compliance is issued to organizations that have implemented an effective HIPAA compliance program through the use of The Guard, Compliancy Group’s proprietary compliance tracking solution.
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“Since the nature of our business being exclusively remote, we take HIPAA compliance very seriously. With the help of Compliancy Group, we are able to take steps to fortify our systems to protect PHI information and familiarize each employee about HIPAA and how we can further safeguard PHI data.” said EDBS Dental Billing Solutions founder Goldie De Leon.
WHS Spring Festival
Join us at the WHS Spring Festival on April 22, 2023, from 10am- 3pm at Wakefield High School(main parking lot). Come out to shop, play, and eat!
Shop local vendors, arts & crafts, new and used items, food vendors/trucks, and
District 27 Toastmasters 2023 Virtual Conference
District 27 Toastmasters invites you to its annual conference where you can hear phenomenal speakers, attend professional development and personal growth seminars about leadership, negotiation, communication, teamwork, and mentorship. Learn how to develop your personal story and how to improve