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Weathered beyond repair, a concrete sculpture in Courthouse is set to be replaced with a bronze replica

Before and after photos of concrete sculpture Compassion by Una Hanbury, which has sat between Wilson and Clarendon Blvd since 1969 (via Arlington County and courtesy anonymous)

A concrete sculpture of an adult embracing a child has been moved from its home of nearly six decades, a planted median in Courthouse, and possibly damaged in the process.

This week, the statue — missing a chunk of concrete — could be seen on a pedestal of soil and flowers on a nearby sidewalk, surrounded by construction work.

A gift to Arlington County in 1969, the sculpture was decommissioned due to its age and significant damage it sustained from the elements, according to Arlington Cultural Affairs. The 54-year-old sculpture was moved as part of the decommissioning process and is set to be destroyed and replaced with a bronze replica.

“Over its nearly 55 years in the public realm, time and weather took their toll, eroding the surface and rendering the sculpture unrecognizable,” Arlington Cultural Affairs spokesman Jim Byers told ARLnow. “Due to the condition of the original sculpture, two independent conservators agreed that the sculpture could not be repaired.”

Una Hanbury, an England native, made the work — entitled Compassion — to pay tribute to Arlington’s values. It was one of several works she completed in the Mid-Atlantic, including large-scale commissions for the Medical Examiners Building in Baltimore and St. Mark’s Lutheran Church in Springfield, Virginia.

During discussions about what to do with the aging sculpture, Hanbury’s grandson, Colin Poole, recommended recreating Compassion in bronze to match its original likeness, says Byers.

Fittingly, Poole is set to take on the replica, as he is a professional artist who apprenticed under his grandmother.

When it was still in one piece, Poole had “digitally scanned the weathered concrete sculpture, milled a replica in foam, and enveloped it in clay,” Byers said.

“Using his grandmother’s sculpting tools and referencing other sculptures she had crafted during that era, Poole skillfully reproduced the surface textures, and the renewed form was cast in bronze for longevity,” he continued.

Some of the material of the original sculpture will be incorporated within the base of the new piece, but the rest will be destroyed. Byers said this is the industry standard when a work of art is decommissioned due to severe deterioration.

The recreated bronze statue is set to be installed later this fall, somewhere “close to its original location,” Byers said. He added that he expects the piece to be incorporated into the county’s Public Art collection — adding to the roughly 70 permanent public art projects in Arlington.

“A dedication event is being planned for some time after the installation of the artwork,” he said.

The recasting is being funded by Greystar, the developer overseeing two new apartment buildings and transportation upgrades to the neighborhood.