(Updated at 3:25 p.m.) The beginning of a mural has appeared on a wall along Lee Highway from the corner of N. Uhle Street to N. Veitch Street.
The mural is the work of local artist Kate Fleming, a 2014 College of William and Mary graduate who now works for the Smithsonian’s Office of Exhibits Central. Fleming was initially approached in 2014 by John Laswick from Engleside Cooperative, the co-op building behind the 110-foot wall, to paint a mural, according to Fleming’s blog.
Now after a year of designing, planning and waiting for warm weather, Fleming has started to add paint to the once dirty retaining wall.
Painted a muted lime green, the mural has pencil sketches on it depicting buildings and houses. A sketch of the Iwo Jima Memorial and Arlington National Cemetery is also depicted.
The finished mural will be an abstract cityscape of Arlington and the District, Fleming said. The mural contains Arlington landmarks, including Arlington neighborhood on the right half of the mural. On the left, she will paint Key Bridge leading to D.C. and multiple District landmarks like the Washington Monument and the Capitol Building.
“It’s more about shapes and color and overlapping than a straight depiction of the city,” Fleming said.
Painting a mural is expensive, especially since the wall needed to be cleaned before Fleming could start, she said on blog. Engleside Cooperative is funding part of the mural, but Fleming also received Arlington Commission for the Art’s Spotlight Artist Grant for 2016. The grant gave Fleming $5,000.
“Getting the funding from the Arlington Commission for the Arts and Arlington Cultural Affairs has finally gotten this project moving in a real way. It’s been a full year in the works, but things are finally starting to pick up speed,” Fleming said in a June 25 post.
However, the project hit a small snag after being selected for the grant. Because the mural is technically on private property, county staff thought she her mural might be considered a sign, and subject to the county’s stringent sign ordinance.
From her blog post entitled “Speed Bump:”
Progress on the mural (and on this blog) hit a bit of a speed bump last week. As I was putting the finishing touches on the design in Illustrator (more on that later), I got a call from Angela Adams over at Arlington Public Arts. Angela was a huge help throughout the Spotlight Grant application process. She was calling to let me know that my project did not fall under the jurisdiction of the Arlington Public Arts Committee. This seemed, at first, a good thing; I would not need to go through the Public Art Committee’s approval process and so I could get started right away. But there was one catch: because it was determined to be a non-public art project, Angela and I concluded that I would have to follow the County sign ordinance.
Fleming was instructed to go to the county zoning office, where she spoke with a staff member. After a few days in which she stopped all work on the mural, she called the staff member and was told that her mural wasn’t a sign after all, it was going to be considered private artwork under county regulations.
“I have the County’s go-ahead and that’s what matters!” Fleming wrote. “I lost a few days of work in the process, but I’m getting back on track,” she wrote in her July 12 post.
It took Fleming a little over a week to pencil mark her mural, and she expects it to take weeks to paint it, she said. Once completed, the mural will have 10 different colors, including shades of blues and greens. The mural will be abstract and won’t necessarily be a day or night scene, though people could consider it to depict Arlington and D.C. during the day, she said.
A lot of thought went into the design of the mural, Fleming said, in order to give it a complex, abstract feel but with identifiable structures. Fleming said she and Laswick want people to be able to look at the mural multiple times and “to see something new every time you looked. So it’s complex and layered that way.”
Fleming’s contract for the mural has a completion date of Sept. 30, but Fleming said she hopes to finish by the end of August or beginning of September.
The Arlington Commission for the Arts recommended approval for $215,810 worth of grants that are to be allocated among 17 organizations and three individual artists. These grants, specified in a County Board agenda item, are a part of county funding set aside for Arlington’s support of the arts in the county’s Fiscal Year 2016.
The total amount of the grants is $16,710 more than was allocated to the arts in fiscal year 2015.
The following organizations are the recommended recipients for the proposed cultural grants, in descending order by amount:
- Synetic Theater — $32,529.00
- Arlington Arts Center — $31,927.00
- Bowen McCauley Dance — $23,962.00
- BalletNova Center for Dance — $18,162.00
- Washington Shakespeare Company — $14,194.00
- Encore Stage and Studio — $13,571.00
- No Rules Theatre Company — $12,980.00
- Teatro de la Luna — $11,284.00
- UrbanArias, Inc. — $9,638.00
- EducationalTheatre Company — $5,802.00
- Arlington Artists’ Alliance — $5,316.00
- The Arlington Players — $5,152.00
- Washington Balalaika Society — $5,012.00
- National Chamber Ensemble — $3,799.00
- Jane Franklin Dance — $3,061.00
- Indian Dance Educators Association — $2,546.00
- Dominion Stage — $1,875.00
Three individual artists, Kate Fleming, Melanie Kehoss and Sushmita Mazumbar have been recommended by the Commission to each receive $5,000 “Spotlight Grants.”
Additionally, 26 organizations have been recommended to receive non-monetary support in the form of space and services:
ACW Dances, The Metropolitan Chorus, Alma Boliviana, Old Dominion Cloggers, Arlington Philharmonic Association, Opera NOVA, The Arlingtones, Peter’s Alley Theatre Productions, Bangladesh Center for Community Development Inc., Potomac Harmony Chorus, Cambodian American Heritage, Inc., Prio Bangla, Inc., Centro Cultural Peru, Inc., The ProBolivan Committee, Dance Asia, Requiebros Spanish Dance Group, El Tayrona, Shristee Nrittyangon, Inc., Festival Argentino, Signature Theatre, Inc., First Draft, Sultanas Troupe, Hālau O’Aulani, Tinkus Tiataco USA, Los Quetzales Mexican Dance Ensemble, Vietnamese Cultural Society of Metropolitan Washington.
The neon light sculpture which has graced the facade of the Arlington Arts Center’s historic Maury building for the past 10 years will be moving on this summer.
The piece is moving across the river to the Anacostia Arts Center. Kraft’s studio is located in Anacostia.
“I’ve been proud for the piece to call AAC home for the last 10 years,” Kraft said. “Following refurbishment and conservation in my studio, the piece will be re-installed at the Anacostia Arts Center where it will be a part of Anacostia’s renaissance for years to come.”
Arlington Arts Center said in an email that they are “thrilled that the piece will live on in the region.” Once it’s gone, AAC plans to use its portico space and grounds to feature the works of other artists, including an artist who’s part of the center’s new PLAY: Tinker, Tech & Toy exhibition, which starts next month.
“AAC will also be working with Arlington Public Art to select and install a longer-term sculpture to be sited on the portico in 2016,” the center said.
The events, which are free to attend, feature live music and, for paying customers, sips of various wine varietals.
“Expert noses from [Washington Wine Academy] help guests select and enjoy the perfect wine for an after work beverage to kick-off the weekend right amidst the calming sounds of falling water mixed with live music,” according to the Crystal City website.
This year, the event is being combined with ArtJamz, which offers aspiring artists paint and canvas so they can create their own paintings in a social setting.
Wine in the Waterpark and ArtJamz will run from 6:00-10:00 p.m. tonight and will take place every Friday in June at the Crystal City water park (1750 Crystal Drive).
On Wednesdays in June, from 5:00-8:00 p.m., Crystal City will hold Blues, Brews and Barks, featuring beer and live music in a dog-friendly setting. The event will take place at the 2121 Crystal Drive courtyard.
Attendees are encouraged to pick up food from local eateries before going to the park. Beverages will be available in the beer garden. Attendees can get two drink tickets for $5 if bought in advance.
Disclosure: Crystal City BID is an ARLnow.com advertiser
A new art piece will lambast the closure of Artisphere on the venue’s final day of live performance.
Artist Carolina Mayorga can neither confirm nor deny that she will assume the form of the Virgin Mary apparition during a performance titled “Our Lady of the Vanishing Arts.” But Mayorga, who’s dressed as the holy figure before, says there’s a good possibility a divine apparition could materialize at 7 p.m. on Saturday, June 6.
“[The Virgin Mary] is thinking about making an apparition at Artisphere,” Mayorga says, chuckling. “She might appear. She’s thinking about it.”
During the performance piece, which lasts an hour and precedes a musical performance by Stooges Brass Band and Black Masala, Mayorga will perform mock holy rituals and anoint Artisphere attendees.
“I have these cardboard letters that spell the word art,” explains Mayorga. “and I’m going to burn them in a little metal tray, mix that with oil, and use a brush to [paint dollar signs on attendees’ foreheads].”
A live organist will play Catholic mass classics such as “Ave Maria” alongside the performance.
“I call it Ash Saturday,” says Mayorga.
The point of the performance, explains Mayorga, isn’t to belittle religion. Instead, it’s to mourn the loss of a local artistic institution.
“I benefitted from Artisphere for a long time,” she says. “I did an artist in residency with them in 2013. They’ve always been supportive of my work.”
Some of the art from Mayorga’s residency still clings to the gallery’s walls as a permanent installation.
“When you want to do a special performance, you need a venue like Artisphere,” Mayorga says. “It really hurts to lose it.”
Photo courtesy of Artisphere.
The 3rd Annual Arlington Festival of the Arts returns with an explosion of color, an abundance of talent and a myriad of artistic media.
This two-day art show, produced by Howard Alan Events and hosted by the Clarendon Alliance, features the finest artists from around the country including exceptional local talent, as well as new and emerging artists.
Bold and vibrant paintings, contemporary and whimsical art, life-size sculptures, photography and jewelry are among the many original works of art that will be on display and for sale, transforming Highland Street in Clarendon, into an outdoor eclectic art gallery. A free art giveaway will feature the work of award-winning artist Joyce Stratton, www.joycestratton.com. No purchase will be necessary to register for the giveaway.
The artists are juried by an independent panel of expert judges and hand-selected from hundreds of applicants based on quality and diversity. All of the artwork is original and handmade. “We have a very selective jury process and choose only the finest artists providing festival-goers with an extraordinary experience,” says festival promoter Howard Alan.
All of the artists will be on site for the duration of the show and festival patrons are encouraged to engage the artists as they explore the exhibits. The prices are set to suit all budgets and will range from as low as $25 up to $30,000. The wide array of art will appeal to collectors and art enthusiasts as well as those looking for unique and affordable gift items.
“You have the opportunity to meet many different artists in one location and personally connect with them before purchasing a piece, which makes the investment much more meaningful,” assures Alan.
The artists, local merchants, restaurants and hotels all benefit from the festival, which drives additional guests and dollars to the community. Howard Alan advocates the importance of supporting the arts and artists because this in turn helps the community. He believes we can make a difference that will positively impact the local economy. “We need to invest in each other, investing in our artists and our community will help to fuel the economy,” adds Alan.
Howard Alan Events develops and produces some of the nation’s finest juried art shows in more than 40 venues each year, many are ranked among the top 100 art fairs in the country by Sunshine Artist magazine. These shows, which attract locals and tourists alike, include the Alexandria King Street Art Festival (Alexandria, VA), the Downtown Aspen Art Festival (Aspen, CO), the Beaver Creek Art Festival (Beaver Creek, CO), and the Las Olas Art Fairs, (Fort Lauderdale, FL).
The 3rd Annual Arlington Festival of the Arts runs Saturday and Sunday, April 18-19, from 10:00 am to 5:00 pm each day, admission is free. The artists will be set up along Washington Boulevard, Clarendon Boulevard and N. Highland Street. For additional information about the 3rd Annual Arlington Festival of the Arts and other Howard Alan Events shows across the country, visit www.artfestival.com or call 561-746-6615.
The preceding post was sponsored by Howard Alan Events
Arlington’s Population to Decline? — Contrary to the conventional wisdom that Arlington’s population will continue to rise over time, one University of Virginia forecast predicts that Arlington’s population will fall — from 229,302 people today to 197,065 by 2040 — as millenials grow up, have families and seek refuge from urban life and affordable single family homes in the exurbs. The forecast predicts a 56.8 percent increase in population for Loudoun County and a 141.4 percent increase in population for Stafford County. [Washingtonian]
DCA Name Disputes Continue –Many locals still cannot agree on what to call what Congress has named Ronald Reagan National Airport. Some people, particularly Democrats, prefer just to call it “National.” The name change happened 17 years ago. President Clinton didn’t veto the change, his press secretary recalls, in part because “in February 1998 we were rather occupied at the White House with a young lady named Monica.” [Washington Post]
Japanese Artist at DCA — As part of the National Cherry Blossom festival, local artist Yoshiko Oishi Weick will demonstrate the art of Japanese ink painting from 4:00 to 5:00 p.m. today at Reagan National Airport’s B/C terminal.
Tenant At Last for National Gateway — The German discount grocer Lidl, which has its sights on the U.S. market, has purchased 217,500 square feet of office space in the National Gateway I building at 3500 S. Clark Street for $56.6 million. The office building, near Potomac Yard, has lacked an office tenant since it was built seven years ago. [Washington Business Journal]
Low-Key School Board Debate — The two candidates seeking the Democratic endorsement for School Board faced off at last night’s Arlington County Democratic Committee meeting. Reid Goldstein and Sharon Dorsey both said they would raise teacher salaries, but would not commit to specifics. They also both voiced support for additional art education. [InsideNova]
Arlington-based PBS is celebrating the upcoming fifth season of its hit Downton Abbey with a building-sized mural on its Crystal City headquarters.
The temporary art installation, featuring the likeness of Downton character Lady Mary , is 90 feet high and 54.5 feet wide — 4,900 square feet total — and took about 140 hours to complete. It was installed at 2100 Crystal Drive in partnership with the Crystal City Business Improvement District and building owner Vornado/Charles E. Smith.
“Downton Abbey is the top PBS drama of all time and we are thrilled to showcase that in Crystal City, where PBS calls home,” said Angela Fox, president and CEO of the Crystal City BID, in a press release.
“Crystal City residents, workers, and visitors are encouraged to take photos of themselves with the project, and hashtag #DowntonPBS,” the press release said.
The fourth season of the British period drama drew an average audience of 13.2 million viewers, according to PBS, making it one of the highest-rated dramas on American television. The fifth season will premiere on Sunday, Jan. 4, 2015.
Disclosure: Crystal City BID is an ARLnow.com advertiser.
Wizards Look at Crystal City, Ballston — Washington Wizards owner Ted Leonsis is reportedly narrowing in on three sites — in Crystal City, Ballston and in D.C.’s Shaw neighborhood — as the potential location for the team’s future $40-50 million practice facility. [Washington Post]
New Cultural Affairs Director — Michelle Isabelle-Stark has been named Arlington County’s new Director of Cultural Affairs, overseeing Artisphere and the county’s art programs. Isabelle-Stark most recently held a similar position in Suffolk County, New York. [Arlington Economic Development]
Backup QB Leads Yorktown into Playoffs — Charlie Tiene, a top lacrosse prospect who skipped football for the golf team last year, will lead the Yorktown Patriots in the their first-round playoff game tonight. Tiene was named the team’s quarterback after starting QB Joe McBride went down with an ACL injury. [Washington Post]
Signature Developing Two New Musicals — Shirlington’s Signature Theatre is developing two new musicals: Midwestern Gothic and the Christmas-themed Silver Belles. [Playbill]
Snow in Arlington — Reagan National Airport reported a trace amount of snowfall overnight. [National Weather Service]
Flickr pool photo by Starbuck77
Two recently completed bridges along Route 50 — at 10th Street N. and N. Courthouse Road — now look more colorful, thanks to a public art installation. But if you want to catch a glimpse of the art in its full glory, you’ll have to wait until it’s dark.
Arlington Cultural Affairs partnered with VDOT on both the custom-designed concrete panels on the sides of the road and metal grillwork on the overpasses. Both were the work of artist Vicki Scuri, who also designed an LED light show that backlights the grillwork at night.
The light display is programmed as a 15 minute loop that fades and gradually transitions between sets of colors. The show contains intentional sequences and transitions with a “range of non-highway colors” that suggest stained glass, Scuri said. The new light programming went live Friday night.
“The lighting, the pattern elements and the landscape are site specific responses to inform place, creating a signature landmark promoting wayfinding for the Arlington entries at Courthouse Street [sic] and 10th Street,” said Scuri, adding that she designed the art installations to reflect Arlington’s “classical architecture.” She said wanted to make a clear entry to Arlington that complemented the county’s lively, refined streetscapes.
Scuri was in Arlington last week to collaborate with the VDOT contract lighting designer and Arlington’s Department of Transportation to balance the artist’s creative vision with practicality and safety for those areas. They worked on the color and intensity of the lighting, among other things.
“This is a collective effort to provide both beauty and safety. I think we’ve done it,” said Scuri. “The entire project is a response to the site, to the native landscape and to the classical ornamentation of Arlington and that of Washington, D.C.”
‘Pups and Pilsners’ Photo Contest — Want to sample some brews and make your pet famous? Head on over to Crystal City’s Pups and Pilsners event from 2:00 to 6:00 p.m. on Sunday, snap a photo of your pooch and tweet it to us and our sponsors, @CCBID and @BeckysPetCare. Pups and Pilsners is a free dog-friendly event featuring a massive beer garden and food from local restaurants. [Crystal City BID]
Planners: Bank Shortchanges Courthouse — The office building slated to replace the Wendy’s in Courthouse will have a Wells Fargo bank prominently located on the ground floor, and Arlington planners don’t like it. County staff says the bank use is “not appropriate” and should be at least moved so that a more active retail use can occupy half of the plaza area. Developer Carr Properties says the bank must stay, since Wells Fargo owns the land under the existing bank that will be torn down for the project. [Washington Business Journal]
Vihstadt Out-Raises Howze — Incumbent, independent County Board candidate John Vihstadt is out-raising his Democratic opponent, Alan Howze. Vihstadt raised $31,367 in July and August, compared to $20,607 raised by Howze. Vihstadt recently reported $58,746 cash on hand while Howze reported $16,906. [Washington Post]
Fugazi to Release ‘Lost Album’ — Fugazi is planing to release a “lost album” of 11 songs recorded in 1988. The legendary local rockers recorded the songs on the album, First Demo, at Inner Ear Studio in Arlington. [Spin]
Road Closures for Clarendon Art Fest — Parts of Washington Blvd, Clarendon Blvd, and N. Highland Street will be closed Saturday and Sunday for the 2nd Annual Arlington Festival of the Arts. “Over 100 artists will showcase their works including glass, mixed media, paintings, jewelry, and pottery; providing all sorts of opportunities to appreciate — and purchase — art,” according to the festival’s website. [Arlington County, ArtFestival]
BL_NK WORLD, a pop-up art and fashion gallery, will be open for an exhibit on Pentagon Row (1201 S. Joyce Street) tonight and tomorrow.
The 1,600 square foot “creative space” is located in a vacant storefront next to Starbucks and across from the Yogi Castle frozen yogurt kiosk. It features art and fashion created by local artists from D.C., Maryland and Virginia. The pieces on display are also offered for sale.
The gallery will be open Friday and Saturday, as a fashion gallery from noon to 6:00 p.m. and for an “art social” event from 8:00 p.m. to midnight. The art social, which requires an RSVP, will feature music from a house DJ and guest musicians, plus champagne and hors d’oeuvres.
“After much buzz amongst the community of tastemakers in the D.C. area and beyond, BL_NK WORLD is preparing to deliver another tasteful experience where individual[s] can take in the culture and connect with others who appreciate the arts,” the organization said in a press release. “Follow us as we help bring light to the journeys surrounding the leaders of tomorrow.”
Prostitution Arrests on the Rise — Arrests of prostitutes are on the rise in Arlington. Halfway through the year, ACPD has made 26 prostitution arrests, compared to 32 for all of 2013 and 18 in 2012. Police say many of the prostitutes come from the West Coast and are attracted to areas like Crystal City, Ballston and Rosslyn due to high-income clientele and easy access to highways. [Washington Post]
Artists Build Art Studio After Fire — Husband and wife artists Bryan and Julie Jernigan have built a freestanding, 16’x20′ art studio in their North Arlington backyard. The project follows a period of hardship in their lives: a fire broke out in the couple’s home in 2012. [Northern Virginia Magazine]
State Budget Woes — Virginia Gov. Terry McAuliffe (D) has revealed that the state is facing a $2.4 billion budget shortfall and that additional budget cuts are necessary. McAuliffe blamed the shortfall, in part, on federal defense spending cuts. [Washington Post]
Arlington’s Best-Reviewed Apartment? — The Concord, an apartment building in 2600 Crystal Drive in Crystal City, has been named the best apartment building in Arlington by a national research firm. The firm ranked 120 properties in Arlington based on online reviews and reputation. [Multi-Housing News]
Among farmers’ market attendees, corporate commuters, and bar-goers in Ballston last Thursday night (Aug. 7), something else stood out. Two new interactive art displays debuted on Ballston’s sidewalks in the forms of beach chairs and Craigslist poetry.
The brightly painted chairs on the corners of Fairfax Drive and N. Taylor Street, Glebe Road and Wilson Blvd, and in Welburn Square encouraged passersby to sit back and consider rising sea levels. Outside of A-Town Bar and Grill, the jumble of words pulled from Craigslist and projected onto a screen piqued the interests of pedestrians.
These two art installations were part of a series of “Public Displays of Innovation” sponsored by the Ballston Business Improvement District. “Beachfront Potential” and “Missed Connections” were the first of eight projects in the series intended to “bring the character and personality of Ballston to its streets,” according to Ballston BID CEO Tina Leone.
“We wanted to see how to incorporate technology and different forms of media for people to experience on the streets,” Leone said.
With Beachfront Potential, artist Patrick McDonough wanted to pose Ballston residents with the a new, hypothetical shoreline, and suggested that climate change could bring the beach to Ballston. Those who sat down at each of the beach chairs’ three locations were educated and engaged by mobile activities accessed by scanning unique barcodes with smartphones.
“With this project, it’s really the juxtaposition of leisure and this mixing of serious and non-serious imagery and content that’s really an effective way to deal with these things,” McDonough said.
Scanning the barcode at the Fairfax Drive location outside Zoe’s Kitchen and The Nature Conservancy brought up an informative video on climate change. McDonough created the 7-minute video using footage he took along Maryland’s eastern shore and from interviews with Nature Conservancy scientists. A “Skippin’ Stones” melting ice caps game and a list of suggested “beach reads” showed up from the Glebe Road and Wellburn Square locations’ barcodes, respectively.
“If you sit in your house and think about global warming, then you might become so morose that you never leave your house,” McDonough said.
McDonough teaches art at Corcoran College of Art + Design and American University. He said he got the idea for Beachfront Potential when he was looking at a map of rising sea levels.
“It was a happy correlation that this [predicted shoreline] went straight through the Ballston corridor,” McDonough said.
Artist Peter Lee projected a slideshow of black and white imagery and word fragments pulled from Craigslist’s Missed Connections section onto a small screen outside of A-Town.
“I worked in the area and it’s IT heavy and government heavy,” Lee said. “One of the most human things you can have is romance, and living in the D.C. area that’s normally synonymous with power and stuff [made it] interesting to find a human element here.”
Lee used a prepared slideshow Thursday because of a bad wi-fi connection outside the bar, but he said he can funnel bits of text from Craigslist as they’re posted with the algorithm he and co-creator Blake Turner wrote.
“We definitely tailored the data and the aesthetic toward Ballston,” Lee said. “We wrote the algorithm so it can chop up the data more, [because] previously we were just pulling subject lines from Craigslist. Now we’re pulling the content, and it’s like stream of consciousness poetry.”
Some of the pre-prepared bits of text said, “was wearing sunglasses” and “interested noww hit me/regularly/up.”
Lee and Turner are both George Mason University graduates and members of the Floating Lab Collective art group in D.C. Although their installation only showed Thursday, Friday (Aug. 8) and Saturday (Aug. 9), McDonough’s installation will remain on Ballston’s streets through September, Leone said.
Leone said the BID plans to debut its other six projects in the next three months. “Quantum Tours Americana” and “Site: WA + FC (Ballston)” will show in September, “Cloud,” “Urban Oasis,” and “Forest of Knowledge” in October, and “Axon Xylophone Bridge” in November, Leone said.
“We really try to look for things that are unique or haven’t been seen before,” Leone said. “It’s been a long time in the works, but they’re really amazing, extremely high quality projects that people can experience together.”
The show is called “Making Their Mark: Art Brut,” and highlights pieces from artists with disabilities from ServiceSource day centers, a non-profit disability resource organization. It is put on in partnership with Purple Art, an art therapy program that works with individuals with disabilities and with military members and their families.
“Sometimes, I feel like Van Gogh,” artist Andrew Ross told ARLnow.com. “Music and art go together with me. I enjoy making both of them, they are big part of me”.
“Art Brut” translates to “raw art” and describes works created without classical art training. It’s an opportunity for the artists to overcome challenges and to express themselves in different ways. Some of the artists created pieces with little or no assistance for the first time.
“It’s good, I did a lot of work on the art,” artist Robert “Bobby” Hoffer told ARLnow.com
Volunteers donated many of the framing materials for the exhibition, in addition to volunteering to frame, mount and curate the show pieces.
“Making Their Mark: Art Brut” runs through August 23. More information can be found on the Gallery Underground website.