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An American Legion post in Virginia Square has a new mural prominently displaying three young Legion representatives and encouraging more to join.

The 22-by-15-foot mural can be found at the American Legion Post 139 at 3445 Washington Blvd, which will soon re-open to members within a new affordable apartment building, Terwilliger Place, which replaced the former post building. It is also less than a mile from another muraled building, American Legion Post 85.

Arlington resident, Navy reservist and Legion member Richard Rodriguez Jr. is displayed on the far left side of the mural. He told ARLnow the piece is intended to grab the attention of younger community members and encourage those who are currently enlisted or recent veterans to join the American Legion.

“Legions are looked at as a resource for older people, so the purpose behind this mural was to target younger people and pay tribute to the sacrifices that they have also made,” he said. “Younger members are always welcomed and encouraged to be in this organization.”

The idea for the mural came about because his father, Richard Rodriguez Sr., also an Arlington resident, took an art class.

Patrick Sargent, who owns the art business Sargent-Thamm Printmakers and shares a studio at the Torpedo Factory in Alexandria, told ARLnow that he met Rodriguez Sr. while teaching an art class at George Mason University. A veteran himself, Sargent used the GI Bill to get art degrees needed to teach.

“Richard took a couple of classes of mine, including an advanced printmaking class, which is where the mural idea came from,” Sargent said. “That was about a year and a half ago. We came up with designs, we had a meeting with the [county], who approved our initial designs and then after some minor changes we began painting what ended up on the wall.”

Sargent told ARLnow that after a few finishing touches, the mural in acrylic paint should be done in about a week.

The mural also pays tribute to the military monuments in Arlington, the county’s proximity to D.C., and the influence that proximity has had on the Legion.

“Behind the three main subjects are different memorials in the area in black. The D.C. skyline is also included, as Arlington and the Legion act as a gateway to the nation’s capital,” Sargent said.

Sargent and Rodriguez began painting the mural with the help of their children and neighbors at first, but as the piece began to expand Sargent told ARLnow that community volunteers and residents of the building helped with the painting of the mural.

“It went from this blank wall to this thing the community gathered around,” Sargent said.

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A 25-foot-long lounging Lady Liberty is emigrating from the New York area and taking up residence in Arlington, among its bronze Marines and steel spires.

During the first week of August, “Reclining Liberty” — inspired by traditional Asian art depicting the reclining Buddha on the path to enlightenment — will move to the front lawn of the Museum of Contemporary Art (MoCA) Arlington. She will be transported by truck and a crane will position her.

“Reclining Liberty” hoisted by a crane (via Zaq Landsberg/Instagram)

After year-long stints in Harlem and Liberty State Park in New Jersey, she will lie in repose in front of the recently rebranded art museum in Arlington (3550 Wilson Blvd) until July 28 of next year, per a press release from MoCA Arlington.

MoCA Arlington Curator of Exhibitions Blair Murphy tells ARLnow she reached out to artist Zaq Landsberg and sold him on bringing Lady Liberty to Arlington. They agreed it would be fitting to juxtapose her and Arlington’s war memorials and defense infrastructure and D.C.’s monuments.

“Recontextualizing ‘Reclining Liberty’ in Arlington makes sense for our current moment. Placing it within a few miles of Arlington National Cemetery, the Pentagon, the National Mall, etc, adds a new layer onto the work,” Landsberg said in a statement.

“[It] allows for a new set of meaningful interactions with different communities, and adds to the local and national reevaluation of monuments — their history, how they function in public space, how they’ve changed from their inception, and their impact on society,” he continued.

Against this backdrop, MoCA curators say they hope “Reclining Liberty” encourages viewers to contemplate the ideals of the Statue of Liberty.

“I love that the work brings the Statue down to the eye level and reach of the public. Its playfulness and accessibility suggest that the ideals of liberty and freedom represented by the Statue of Liberty are active, tangible, and evolving and need to be directly engaged with, debated, and defended,” Murphy said in a statement.

“Reclining Liberty” was originally installed in Morningside Park in Manhattan in April of 2021. Last May, she moved to New Jersey to greet those taking ferries to Liberty Island, per the press release.

Her arrival will be marked with an opening celebration with an artist talk, food, art and other family friendly activities on Aug. 5 from 11 a.m. to 1 p.m.

The museum also has a series of accompanying talks and conversations, in partnership with Arlington Public Art, which will address issues related to the work: the role of monuments and memorials in public life, immigration and democracy, Murphy said. A schedule is forthcoming.

The budget for the project is $45,000, which includes the costs for the programs. Funding from Arlington Public Art is covering half and MoCA Arlington is covering the other half, Murphy said.

“Arlington Public Art is delighted to co-sponsor this ‘enlightened’ temporary public art project in the County’s Maury Park,” Director of Arlington Public Art Angela Anderson Adams said in a statement. “We look forward to the community conversations that this sculpture will inspire including those related to monuments and memorials, immigration, and our democratic ideals.”

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(Updated at 10:15 a.m.) A spinning pop-up installation that can be sat in or laid or played on is set to debut in Ballston Quarter today.

Five brightly colored, life-size, woven figures named “Los Trompos,” or “the spinning tops,” will be available to play on now through Sunday, July 30, in The Outdoor Mews in front of the mall at 4238 Wilson Blvd.

The installation is named for a Mexican spinning top, or trompo, connected to a string. When released, the top is launched onto a flat surface, where it will spin. Like the top, the woven figures in the “Los Trompos Experience” spin — to the delight of children and adults, per a video of them in use on the Facebook page for Ballston Quarter.

“Whether you’re here for the shopping, dining, or entertainment, we strive to be a place where the Arlington community wants to spend their time,” Ballston Quarter’s General Manager TaVida Rice said. “For us that means finding new and exciting ways to engage with our shoppers by offering new interactive experiences like Los Trompos.”

While the tops most likely will not be re-installed after July, Rice told ARLnow that Ballston Quarter is always working to introduce new concepts and experiences to the neighborhood.

“In today’s environment, you have to continuously evolve and meet the changing needs of today’s consumer to remain a hub in the community,” Rice said. “This means not just offering a mix of great tenants, but also offering unique, interactive experiences that the community can take part in. This pop-up is an added element that we are able to offer shoppers.”

This installation was created by a Mexico-based duo, Héctor Esrawe and Ignacio Cadena. The two designers have showcased their creative talents throughout North, Central and South America.

“We are inspired by ordinary objects that surround us. We are influenced by our context and our everyday activities which allow us to visit and share different cultures and different individuals,” Esrawe and Cadena said on their website.

There is an option to get a ticket to the installation, however, admission is free and open to the public daily.

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Innovation Elementary School student Sofia Kaarina Kurbat’s Doodle for Google submission (courtesy photo)

Sofia Kaarina Kurbat from Innovation Elementary is grateful for her teachers instilling in her the joy of learning.

So, it was fitting that she was in class on Tuesday when Google paid a surprise visit to the Courthouse-area school to say her submission to the 15th annual Doodle for Google competition was named the best in Virginia.

Young artists were asked to draw a picture of something they are grateful for and explain it in a statement. Kurbat was one of 55 state and territory winners and this is what she had to say about her drawing:

2023 is my first year of school and I love it — going to school, learning new things, enjoying the company of my classmates makes me happy every day because of the wonderful teachers, who work so hard to give us the joy of learning.

This is the year I learned to read and I’m thankful for my teachers being so encouraging. I am also thankful for my supportive community, where everyone is welcome and everyone’s special talents are recognized and celebrated. This [is] what I tried to express in my Doodle.

Other artists depicted their gratitude for spending time in nature, taking part in hobbies and spending time with their communities, Google said.

“We were amazed by the submissions we received. Across ages, students showcased what they appreciate most in thoughtful and intentional ways,” Google said in a statement. “Given the challenging nature of the past few years, we were really inspired to see the many ways students have been nurturing their spirits and facing the opportunities and challenges that every day brings.”

Kurbat and the 54 other children received Google hardware and swag and “held celebrations in their hometowns to showcase their artwork,” the tech company said.

Voting is expected to open today to choose which five of the 55 winning state Doodles will advance as national finalists and eventually, which student will be declared the big winner and have their design temporarily grace the top of Google.

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Demolition could start on the former Inner Ear Studios building next year.

On Saturday, the Arlington County Board is set to review a contract to demolish the nearly 70-year-old warehouse and building at 2700 S. Nelson and 2701 S. Oakland streets in Green Valley, near Shirlington. The demolition will make way for a flexible open space for arts programming.

“The building is in a deteriorated condition, has exceeded its service life, and is cost prohibitive to repurpose, repair and maintain,” according to a county report. “Therefore, demolition was recommended.”

Work could take about 180 days and construction could be completed by the summer, per the report. Electrical outlets and hydrants would be installed as part of the project.

Arlington County plans to outfit the lot with a large event space, a small performance area, a temporary public arts space, a makerspace and seating. It will incorporate objects saved from the former epicenter of the D.C. punk scene.

“Several items of significance were salvaged from the Inner Ear Studio that occupied the warehouse prior to the County,” the report says. “Arlington County Cultural Affairs and Public Art are involving the community in shaping the future use of the site and incorporating the salvaged items for a flexible, open space that will be established after demolition.”

Arlington acquired the property in late 2021 in a bid to create an arts and industry district in Green Valley and make the arts more accessible in south Arlington.

The building is adjacent to the Arlington Food Assistance Center and the Arlington Cultural Affairs building, where an outpost of Arlington Independent Media is now located, and across from Jennie Dean Park.

Inner Ear Studios has remained active since moving out of its long-time home, with recording space now located in the basement of owner Don Zientara’s Arlington house.

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Shirlington-based Signature Theatre has announced a slew of new shows and events as part of a season-long tribute to Stephen Sondheim.

Earlier this week, the well-known local theater on Campbell Avenue released its show schedule for the upcoming season. It will feature a season-long tribute to the American musical icon Stephen Sondheim, who died last November.

The theater has produced 31 Sondheim productions in its history, more than any other theater in North America, per a press release from Signature.

So Many Possibilities: A Season of Sondheim” will include three all-new productions from Signature of Sondheim classics: “Into the Woods,” “Sweeney Todd: The Demon Barber of Fleet Street,” and “Pacific Overtures,” a rarely-produced musical due to the need for specific casting and production demands.

The addition of three more shows will bring the total of Sondheim shows performed at Signature to 34, a press release notes.

As the American theater that has produced and championed more of Sondheim’s work than any other, Signature Theatre is proud to present So Many Possibilities in honor of his memory and in celebration of his unparalleled contribution to the American musical theater canon,” Artistic Director Matthew Gardiner said.

Along with three new fully produced musicals, there will also be a number of other events celebrating the lyricist. That includes book signings, sing-alongs, and a collective effort to sing (or speak) every lyric of every Sondheim song called “Sharing Sondheim.”

Signature Theatre opened in Shirlington nearly three decades ago, converting an old auto garage into a theater. In 2007, the theater moved about a quarter of a mile away into a $16 million space that was built in partnership with the county. Signature won the Regional Theatre Tony Award in 2009.

Signature Theatre’s show and event schedule through July 2023, from the press release, is below.

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Arlington’s own chainsaw art competitor has completed his latest carving.

Local chainsaw artist Andrew Mallon recently unveiled his newest work of art on the front lawn of a home in the Ashton Heights neighborhood.

The work, near the intersection of Pershing Drive and N. Monroe Street, is entitled “Sunshine and Moonlight — The Oak at Pershing and Monroe.” It depicts a rising sun and moon with an Art Deco motif.

It came out to be sort of a stately, subdued representation,” Jim Roberts, who commissioned Mallon to do the piece for his home that he’s lived in for 44 years, told ARLnow. “It’s just a beautiful piece of artwork.”

Mallon can currently be seen on the Discovery reality TV competition show “A Cut Above,” going against some of the world’s best chainsaw artists. He has made it through the first five weeks and even won a wood bug carving event that aired earlier in October. The next episode airs on Sunday. The entire competition series is 12 weeks, so more than half of the episodes remain.

While Mallon is chainsawing wood every week for a national audience, this particular project was extra special for him. That’s because he grew up in the Ashton Heights neighborhood and has known the Roberts family for decades.

“We knew him when he was a seven or eight-year-old and on the [Fort Myer] swim team with our girls. At the time, he sorta viewed Andrew as family,” said Roberts. “This was our opportunity to give him a chance to show off his artwork.”

The idea came when Roberts and his wife, Marilyn, had a 12-foot oak tree in the front yard of their house that needed to be taken down due to safety reasons. While they regretted needing to take the tree down, they also saw it as an opportunity.

They contacted Mallon and collaborated with him to come up with the concept of “Sunshine and Moonlight.” For the artist, as well, this project held additional meaning.

“It’s always a pleasure doing for people I know. Any time, I get to be back in my hometown neighborhood, it’s just a blessing,” Mallon told ARLnow. “To be able to fill that neighborhood with my work where I grew up and used to run around and play, it really means a lot to me.”

“Sunshine and Moonlight” in Ashton Heights (photo courtesy of Jim Roberts)

It took him about five days of work to complete the carving and, for a lot of it, he had an audience. People came “dozens at a time,” said Roberts, to watch the artist work. Both Mallon and Roberts didn’t mind it, though. It gave the homeowner a chance to meet and catch up with neighbors, while Mallon says he’s used to it and “really enjoys” a crowd.

“It brought the neighborhood together,” said Roberts.

Roberts loved watching the artist work as well, particularly when he got into carving the sun’s and moon’s details. But he did worry about the noise and mess.

“It was extremely loud and I had to apologize to my neighbors,” he said. “But they understood and appreciated [the artwork].”

There was also a lot of sawdust and the couple had to hire a landscaper to remove “hundreds of pounds” of sawdust and wood.

But the final product came out great, according to everyone. Roberts calls the work a “masterpiece” and a “tribute to the neighborhood.” Mallon said he thought it turned out “spectacular.”

As for Mallon’s run on “A Cut Above,” he can’t share much due to the show still being in the middle of the competition series. He did say that one of the biggest challenges was quickly coming up with something unique and creative for each competition. When he’s working on an individual project, there’s often more time to work through a design and not the added pressure of needing to finish in a set period of time.

Also, being away from home was tough. He has young children and most of his work is in the region, so it’s rare he has to be away from home for long. Mallon does recommend to keep watching the show because it “has some twists to it.”

Roberts hopes that “Sunshine and Moonlight” become an Ashton Heights landmark and part of his legacy — as well as Mallon’s.

Said Roberts, “We wanted it to be something that he could be proud of and something that he would want all of his neighbors, former neighbors, and everybody to see.”

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A local chainsaw artist made his buzzy debut on a new reality TV show last night.

Ashton Heights native Andrew Mallon is a contestant on the Discovery competition show “A Cut Above,” in which some of the best chainsaw wood carvers in the world compete against one another.

“The competition will test contestants’ artistry, stamina, and carving skills. Each week, the carvers will compete in Quick and Master Carve challenges while racing against the clock in hopes of avoiding elimination,” reads a description of the show. “At the end of the grueling twelve-week competition, the artist who out-carves the rest will win a cash prize and be named ‘A Cut Above.'”

The show debuted last night at 10 p.m. on the Discovery Channel and, yes, Mallon did make it to the next round, so he will continue to carve in the weeks ahead.

Mallon was contacted to be on the show a few years ago, pre-Covid, by the show’s producers, he told ARLnow. They shot the show earlier this year.

Mallon is known locally for his playful tree carving in Oak Grove Park near Washington-Liberty High School as well as carvings at a number of private residences in Arlington. That includes a bear, an owl, a dragon, and a scene from Greek mythology. He first started carving about a decade ago while working as a carpenter and remodeling houses in Arlington.

“And I just started whittling on pencils. From there, I learned [how] to do it,” Mallon told ARLnow. “Then, I started whittling on some pieces of wood. But I thought that it took too long and… really wanted to do it faster. And I saw some people on tv doing it with a chainsaw and thought ‘Hey, I could do that.'”

A majority of his work is commissioned by private citizens, including many Arlington residents, who have trees that may have fallen or died in their yards. He calls these “stump jobs” and they typically take about four days to complete.

Like a lot of wood carvers, Mallon often finds himself creating “critters” that live in the area like foxes, raccoons, owls, and hawks.

“You’d be surprised by how much detail I can get with a chainsaw,” he said. “I can put hair on a horse and fur on a bear.”

Recently, he’s been doing more “abstract” carvings — a style that has been more in vogue locally.

“I take it to another level where I carve it really far with a chainsaw and then I come back with a sander and sand it really smooth. It makes a lot of my pieces really elegant,” he said. “Most of what I use are large trees… it just lends itself to a beautiful product.”

For those who want to see the newly-minted television star in action, Mallon is currently working on a carving at a private residence near the intersection of N. Pershing Drive and N. Monroe Street in his home neighborhood of Ashton Heights. He says folks are welcome to stop by to watch him work. Mallon is also in the midst of planning a potential new sculpture in Lyon Park.

For those who may want to take up the art of chainsaw wood carving, Mallon’s advice is to “just go for it.”

“Chainsaw is just another tool in the hand,” he said. “Just learn the rules of the tool and… give it a shot.”

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The legendary Inner Ear Studio has reopened in the founder’s Arlington Heights basement.

Last week, the recording studio’s founder Don Zientara spoke at length to the Embracing Arlington Arts podcast about what’s been happening since the studio moved from its home of three decades on S. Oakland Street last year.

The biggest change is that the studio is now back in Zientara’s basement in Arlington Heights where Inner Ear started in 1979.

“It isn’t gone, it’s still thriving,” he told host Janet Kopenhaver. “I’m back in my basement and realizing I can’t fit everything in here.”

He was able to bring over some of his favorite microphones, but much of his old equipment had to be sold or given away. Zientara said that he gave it to people that he “thought could use it the best.”

Much of the art, band posters, prints, drawings, and ephemera that lined the walls at Inner Ear Studio are now at D.C.’s Lost Origins Gallery. It’s set to be on a display soon as part of an exhibit about the famed recording studio.

“They took a lot… they were cutting walls out,” Zientara said. “Some posters there that I thought ‘Come on, this is going to go down with the ship,’ but they were cutting and sometimes took pieces of drywall.”

Zientara told Kopenhaver that he harbors no ill will towards Arlington County for making the studio vacate the building on S. Oakland Street it had called home since 1990.

In 2021, Arlington County purchased the building for more than $3 million, with the intention of demolishing it to make way for an arts and industry district.

As Arlington Cultural Affairs director Michelle Isabelle-Stark told the Washington Post at the time, the county saw this as saving the property from being bought by a private developer. The plan for the new district has some Green Valley community members concerned, though.

“There was no sense in trying to argue with anyone,” Zientara said about the move. “It was fine. A lot of businesses don’t last 32 years. I’m good with [it].”

Inner Ear Studio is famed for being the recording studio where many of the region’s well-known punk bands recorded. That includes Fugazi, Minor Threat, Bad Brains, and, one of the biggest acts in rock, the Foo Fighters. Some called it “the Abbey Road of Arlington.”

Zientara said that the reason a lot of the indie punk bands came to his small Arlington studio was that they were often rejected from the more polished, bigger recording studios.

“I had equipment that was, let’s say, less than ideal. I had a space that was less than ideal,” he explained last week. “[The] bands were not welcomed at a lot of the studios, but I could record them.”

While the studio is now smaller than in its heyday, Zientara described the situation as going back to his roots.

While he could have fully retired or taught at one of the region’s universities — he said he had offers on the table — Zientara is currently in what he calls “semi-retirement.” That means he’s working when he wants and with who he wants.

In fact, when ARLnow reached him this morning for a brief conversation, he said that D.C. punk music icon Ian MacKaye was coming by the studio today to “mix some things.”

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When Diana Gamerman was little, she wanted to do exactly what her older sister did.

The Arlington resident has a studio in Alexandria called DianaArt, where she sells her work, but it’s on Nextdoor where she have been gaining a degree of local fame.

Gamerman has been painting professionally since she was 22 years old, she told ARLnow. While she owes her initial interest in art to her sister, the now 80-year-old has continued her passion, specializing in watercolor, oil painting and sculpture work. Her work has even been featured in the Museum of Arts and Design in New York.

“[I’ve] done it all,” Gamerman joyfully said.

Gamerman’s inspiration comes from everyday life experiences. What she chooses to paint is influenced by things she likes — if she sees a beautiful landscape, she’ll create art from it. She also takes her inspiration from Wayne Thiebaud, a California artist who specialized in landscapes and cars.

She said watercolor is more convenient to use but she opts for oil pastel when the weather is good — “don’t have to worry about things flying away.”

One painting, of her music teacher, took three years to complete, she said.

Gamerman posts to Nextdoor, the social media website for neighbors, photos of her paintings, which are most often pictures of homes in the neighborhood. From time to time, she posts sketches of people sitting at Compass Coffee or pictures of her sculptures.

The posts have become something of a fixture of the local social network.

One post she made on Nextdoor, of a home in her neighborhood, garnered hundreds of likes and dozens of comments on her talent. Her feed shows dozens of paintings of “what is happening” in her neighborhood, at a development project, at her studio, at a coffee shop.

In another painting, vivid yellows and oranges mesh together to show scenes of workers at a construction site and another with workers doing road work.

“I can show you what is happening in my neighborhood because I love [to] paint the work men because they wear such bright colors,” she wrote with the post.

She called Nextdoor a “wonderful” platform where she can share her work and people reach out to her to commission paintings. Her posts are a way to make extra money and enjoy her time — another hobby of sorts, in addition to playing the banjo and mandolin, she said.

The site is also a place to find a sense of community that transcends the local and national controversies that prompt less neighborly discussions.

“Everybody makes nice comments on Nextdoor,” Gamerman said.

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Morning Notes

Bon Air Park azaleas (Flickr pool photo by Erinn Shirley)

More Bad Driving on I-395 — From Dave Statter: “WATCH THIS! I thought I saw a crash in the distance. Nope. An I-395S driver stopped in the left lane for 30 secs to cross 4 lanes to get to the right hand Boundary Channel exit!” [Twitter]

Drug Take-Back Day Tomorrow — “If you have expired or unused prescription drugs taking up space in your medicine cabinet, Arlington County residents will have an opportunity to safely get rid of them this weekend. National Prescription Drug Take Back Day is scheduled from 10 a.m. to 2 p.m., on Saturday.” [Patch]

Civic Association to Celebrate Anniversary — “The John M. Langston Citizens Association has set a weekend’s worth of activities to celebrate its 85th anniversary, running May 13-15. The association represents residents in the communities of Halls Hill and High View Park, straddling what long was known as Lee Highway but has been renamed Langston Boulevard.” [Sun Gazette]

AHC Honors Volunteers — “Providing services where residents live is AHC’s secret sauce. Volunteers are the key ingredient. This Volunteer Month, AHC is celebrating the nearly 350 individuals and groups who generously contribute their time and talents annually through our education and social services programs.” [AHC Inc.]

Art Truck Marks Five Years — “Not long after I began working for Arlington County, Arlington Arts launched the Arlington Art Truck: a bold new project to take curated and interactive visual art experiences out into the community to where people congregate. Five years in, the program has succeeded beyond our wildest expectations.” [Arlington County]

Rep. Beyer Interviewed — Rep. Don Beyer (D-Va.) “has cast over 2,100 proxy votes for his colleagues in the last 2 years, by *far* the most of any lawmakers. I spoke w/ him about what that’s like, how it could change, and how he’s cast more votes to impeach Trump (6) than anyone else.” [Business Insider, Twitter]

Va. Requires Digital School Floor Plans — “Every second counts for first responders when it comes to saving lives and now a new Virginia law aims to help those heroes navigate better as they respond to emergencies at schools. Public schools will be required to digitally keep an up-to-date and accurate floor plan for each building.” [Fox 5]

It’s Friday — Clear throughout the day. High of 63 and low of 40. Sunrise at 6:14 am and sunset at 8:00 pm. [Weather.gov]

Flickr pool photo by Erinn Shirley

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